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【 WE ARE BOUND TO MEET 】Exhibition Manual Binding

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  • 【 WE ARE BOUND TO MEET 】Exhibition Manual Binding
  • 【 WE ARE BOUND TO MEET 】Exhibition Manual Binding
  • 【 WE ARE BOUND TO MEET 】Exhibition Manual Binding
  • 【 WE ARE BOUND TO MEET 】Exhibition Manual Binding
  • 【 WE ARE BOUND TO MEET 】Exhibition Manual Binding
  • 【 WE ARE BOUND TO MEET 】Exhibition Manual Binding
  • 【 WE ARE BOUND TO MEET 】Exhibition Manual Binding
  • 【 WE ARE BOUND TO MEET 】Exhibition Manual Binding
  • 【 WE ARE BOUND TO MEET 】Exhibition Manual Binding
  • 【 WE ARE BOUND TO MEET 】Exhibition Manual Binding
  • 【 WE ARE BOUND TO MEET 】Exhibition Manual Binding
  • 【 WE ARE BOUND TO MEET 】Exhibition Manual Binding
[ WE ARE BOUND TO MEET ] Exhibition brochure framed
curator Cai Jia's long-awaited plan: "We must meet"
Chapter 1: There are many people with scars on the screen, they turn a blind eye to me, and wipe with me

Part of the exhibition (Chinese exhibition name) is intended to deal with and face all kinds of visible and invisible scars created by history. It is presented in the form of chapters and novels~
The binding method of ancient books in the form of binding; This kind of historical situation, but I hope that the booklet can present some commonalities and differences between the past and the present, Taiwan, Japan and Korea. Therefore, it adopts paper and color matching with historical literary sense; with characteristic fluorescent yellow and dark green. Sewing thread, with the artist's artwork, so that when you flip through the introduction, you will feel staggered and blended~


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